Dave Evans – Elephantasia
“A glorious folk opus from 1972”, “Long lost and attaining a legendary reputation”, “Timeless record that never got its due” You had me at folk …
Liberating Vinyl Since 1995
“A glorious folk opus from 1972”, “Long lost and attaining a legendary reputation”, “Timeless record that never got its due” You had me at folk …
In Manchester, Christinzio managed to resurrect his music career and signed to Brighton based Bella Union a couple of years after the move. People started to take notice. He enjoyed increased exposure and reached many more listeners than he had ever done in the USA.
I have been meaning to write up the notes I had on this mini album for quite some time. I love small run, self funded …
The 101 Club in Clapham, South London, was a hugely popular and influential venue for music in the 70s and 80s and a lot of up and coming bands found their way on to the stage here. Alas, as can be seen below, it has long since closed down.
I absolutely love this record – I have only played it through twice but I am really impressed. This is avant-garde experimental at its best and it is either a wonderful accident or, as I suspect, these boys know what they are doing all too well. Either way this one is a keeper and I am going to shout it from the rooftops until it gets the attention it deserves.
Followers of Revival Records over on mastodon or various other social media sites will have seen me mention this obscure oddity before. It was found …
The interviewer was incredulous that an ambitious concept album, let alone a rock opera of all things, had been considered a good idea for release in these modern times. I think he used the word ‘brave’ a lot.
“Who better to deliver a tribute to the greatest rock opera of all times? Who? The D! That’s Who!! We’ve been working on this medley …
Forget Come On Eileen and Too-Rye-Ay, forget dungarees and floppy hair. Dexys Midnight Runners underrated classic is a raw, lyrically brilliant, musically innovative masterpiece, and a debut album that deserves wider recognition and acclaim.
The album has elements of all the best of early Roxy Music, but never quite captures the same brilliance. Manifesto starts well, the intro is appealing, but it quickly fails to live up to the promise. A fairly tame, middle-of-the-roader really. Not the phrase you would normally associate with 1970s Bryan Ferry. Listening through again I can’t emphasise enough how much Trash sounds like the Mod Revival records of this era.