The Gents – How It All Began
I came across this record in 1986. Mod Revival was on the wane, and we were all transitioning to fully fledged ‘Scooter Boys’ by that time, enjoying the rallies, the live music and the beer that went with them.
Liberating Vinyl Since 1995
I came across this record in 1986. Mod Revival was on the wane, and we were all transitioning to fully fledged ‘Scooter Boys’ by that time, enjoying the rallies, the live music and the beer that went with them.
Post Punk band Drahla focus on avant-garde and experimental elements more than most. Post, post punk may be more accurate as they somewhat redefine and …
“A glorious folk opus from 1972”, “Long lost and attaining a legendary reputation”, “Timeless record that never got its due” You had me at folk …
In Manchester, Christinzio managed to resurrect his music career and signed to Brighton based Bella Union a couple of years after the move. People started to take notice. He enjoyed increased exposure and reached many more listeners than he had ever done in the USA.
I absolutely love this record – I have only played it through twice but I am really impressed. This is avant-garde experimental at its best and it is either a wonderful accident or, as I suspect, these boys know what they are doing all too well. Either way this one is a keeper and I am going to shout it from the rooftops until it gets the attention it deserves.
“Who better to deliver a tribute to the greatest rock opera of all times? Who? The D! That’s Who!! We’ve been working on this medley …
The first thing to mention is this was written after Nicky Wire lost both of his parents just before the pandemic, and continuing into lockdown the album, or at least its lyrics, reflects sadness, insecurities and loneliness. The loneliness of being an orphan is real even well into middle age. Been there myself. But more than that it makes you reflect on and see the world altogether differently, probably due to the heightened sense of your own mortality.
Released in 1977, Front Page News definitely rates as early Wishbone, but even so this is what they call the Mk 2 lineup and there seems to be a consensus they were passed their best by then. I hadn’t realised they had been so prolific latterly either, with regular releases well into the 2010s.
Imagine a Peter Greenaway movie, personified, going into Pete Townshend’s Lifehouse. The result would be the biorhythm and undulating classical melody of Michael Nyman.
Each week (or so) I’ll be clicking on the Random Item link for my collection in Discogs.com – whatever comes up I’ll feature/review on this …